Showing posts with label Ballgown. Show all posts
Showing posts with label Ballgown. Show all posts

Dec 6, 2017

Making an 1841 Evening Gown | Bodice and Sleeves

Today I'm sharing the process of making the bodice of my 1841 Marie-Louise gown. I'm still in the process of making it, but I wanted to share what I have done thus far, mainly the bodice.

The pattern is self drafted, based off of a pattern from Patterns for Stage and Screen by Jean Hunnisett. To draft the pattern, I draped it on my dress form, patterned that, made a few adjustments and then went on to make one final mock-up before cutting into the actual fabric.

Speaking of fabric, the fabric I'm using is a faux silk taffeta from Bangkok Thai Silk. It looks more purple in the pictures, but it's a black-shot-red color.

I cut my pattern pieces out of both my fashion fabric and muslin and flat lined them by surging them together. Once that was done I stitched all the pieces together with a 1/2 inch seam allowance, leaving the back open.


On the dress form, before any boning was added.
The next step was to add boning. I used single fold bias tape for my boning channels, stitched directly into the seam allowance.



After I added boning to the seams, I decided that it needed more structure, so I decided to add boning into the lining pieces of the front side pieces of the bodice. I cut my bodice pattern out of another layer of muslin to create the lining.

To add the boning to the lining, I cut out 2 more pieces of the front side pieces, surged the edges, and drew my boning channels. I originally thought that I would place the pieces against the inside of the bodice, matching the seams, but I quickly realized that if I did that then the boning would be at the wrong angle.

Instead, I still used the same pieces, but I ended up stitching them at a different (crooked) angle to my lining. Since it would not be visible once the lining was finished, I decided not to bother redrawing/positioning them.



My lining, with the additional boning channels stitched.
Next I stitched the lining to the bodice with right sides together, and stitching across the top with a 1/2 inch seam allowance. I under stitched the lining before clipping the curved edges and turning it all outward.



Here's what it looked like at this point.

The next thing to do was the sleeves. These were also self drafted and based from the same book as the bodice. They were relatively simple to both draft and assemble. They consist of two pieces, the lining and the fashion fabric, which as you can see are quite different in shape and size.

Once the pieces were cut I surged them and ran a gathering stitch across the top and bottom of the fashion fabric pieces.


After that I gathered the top piece down to the measurements of the lining pieces. If I were to do this again and I would make the top piece a bit longer to give a little more volume, and I would center the gathers more towards the center instead of spreading it out mostly evenly.

Once I had the gathers pinned to the lining piece, I basted along both sides to hold the gathers to the lining. Then with right sides together, I folded it in half lengthwise and stitched with a 1/2 inch seam allowance, creating the sleeve.

After this, I attached the sleeves to the bodice by hand.



What the dress currently looks like (and also a more accurate color)

That's all for today's post. I'll have more posts soon about the bertha and eventually the skirt.

Nov 13, 2017

1841 Dress Inspiration | The Marie-Louise Gown

Since making my first 1840's dress over a year ago, I have been dying to make another. I'm naturally more drawn to the simpler, "every day" wear, if you will, and I'm stepping outside my comfort zone by working on something more elegant.

I came across this beautiful portrait of Queen Marie-Louise of Belgium from 1841, and I fell in love. Not only does it capture the very essence of 1840's fashion with just a hint of the 1830's in the hair, it's also red and I recently got it into my head that I want to make a red dress (for no reason in particular).

Today I'm sharing my inspiration and the beginning of my research for the gown.

Painting of Queen Marie-Louise of Belgium c. 1841


The painting itself was painted by Franz Xaver Winterhalter in 1841. Winterhalter was a well known artist of the 19th century, and painted portraits for royalty all over the world. Perhaps his most famous portrait is of Empress Sisi of Austria.

It looks to me as if the dress is made of velvet, however I've decided to make it from a faux silk I got a good deal on from Bankok Thai Silks. I would use 100% silk fabric, but unfortunately my budget isn't quite there at the moment.

The dress has the typical shape of the period with a full pleated skirt, pointed bodice, and pleated bertha with puffed sleeves. It's accessorized with a lace tucker, jewelery, and a lace shawl and headpiece.

Painting of Queen Marie-Louise of Belgium c. 1841
I'm planning on doing more of an interpretation of the gown rather than an exact replica, so I may play around with the accessories and hair a little.

As for patterns, I'm drafting everything myself using patterns from Patterns of Fashion I and Period Costume for the Stage and Screen as references. I've found a couple of patterns in each that I think will work perfectly.

I'll be posting more about this dress soon.

Nov 3, 2017

Costume Spotlight | 1898 Jacques Doucet Ballgown

This week's Costume Spotlight is an original 1898 ballgown by Jacques Doucet. Doucet was a French fashion designer in the 19th century and early 20th century. His designs were known for making elegant gowns using translucent fabrics and pastel colors.

This particular dress is from 1898-1902 and is made of silk, metal, and linen. The cut of the dress is typical of the era, with a narrow waist, small bustle, and flared skirt with a slight train in the back.

via Met Museum

via Met Museum

via Met Museum
From the Met Museum, "the material used is of the finest quality, extremely delicate and dramatically embroidered. The cut of the bodice is quite seductive, enhancing the silhouette.

What do you think?

Rate between 1-10 in the comments and let me know your thoughts.

Nov 20, 2014

The Clock Strikes Twelve

Yesterday the first trailer for Disney's new live action Cinderella came out, and I have to say I'm really excited! I was excited when I first learned they were making a live action Cinderella, but this trailer got me even more pumped for the movie!



It looks like it's going to be very similar to original Disney movie, and they're even adding a few things from the original fairy tale by the Brothers Grimm. That alone got me excited, but I'm already in love with the costumes.

I just recently started watching Once Upon a Time, and while I like the show I don't like a lot of the costumes. They just seem very cliche, especially Regina's costumes. I'm glad that, for the most part at least, the costumes in Cinderella don't feel that way to me (from what I've seen so far).

I love the way they've done the step sisters, they have an 1830's feel to them, and I love how they kept the same color scheme from the original movie for them. And while I really do like the Step Mother's costume, I hate that fake skirt thing. It's that same style that I didn't like in most of Regina's costume's in OUAT. At least she's not wearing leather pants though...

And then there's Cinderella. I love, love, LOVE her ball gown! Oh, the Prince's outfit looks good too.


This dress is definitely going on my costume bucket list!

Oct 17, 2014

Masquerade Inspiration

Next year I'll be graduating high school, and since I'm homeschooled I'll be having my own graduation party. I've decided that I want to have a Phantom of the Opera themed Masquerade! I'm so excited!

I've already been planning what I want to do for my costume. I was originally wanting to do Christine's Masquerade dress from the 2004 POTO movie, but because our house is so small we're going to have the party outside and I don't want to spend all that time and money on a dress that's going to get dirty and possibly ruined.

My next thought was to do the stage version of the Masquerade dress, but I don't really want to spend all the time dying the fabric and hand sewing everything on the bodice. Besides, it would require a ton of tulle which I don't really like working with. Which is a shame because it's so cheap!

I've decided that I should do like my sister keeps telling me and to design my own dress. I've mostly been pinning inspiration on Pinterest, but I need to actually start sketching some ideas out soon.

But here's some of my inspiration I've gotten from Pinterest.

Please Note: All images link back to original source if I have one.










This was a mask from the gift shop when we went to the Seattle Opera.

As you can tell by the variety of inspiration, I really have no clue as to what I want to do. Well, I guess I have plenty of time to figure it out. 

Jan 23, 2014

Cinderella Costumes

I've always loved the big fluffy dress that all the Disney princesses get to wear. The big hoop skirts and layers upon layers of ruffled petticoats. Could you imaging how fun it would be to twirl around in a dress like that? I think I fall over from dizziness before I would stop spinning. Getting back on topic, I have to say that one of my favorites is Cinderella's big, blue ballgown.

Cinderella!

Although I'm not a huge fan of the updated Cinderella dress's sleeves, I think the rest is beautiful!
Princess Cinderella in front of it's a small world!
Cinderella from the Disney Parks

Here's a few of my favorite Cinderella costumes.

Cinderella, Disney Cosplay at Disney D23 Expo 2013

Cinderella
Kay Dee makes the most amazing costumes!

This is one of my favorite costumers. She and her mother do a lot of video tutorials on the costumes they make, so definitely go check them out!  But what I love about their Cinderella costume is that they based it off of the original dress but changed it up a little bit. I think they did a fantastic job on it!


My next Cinderella dress isn't Disney. It's from Rogers and Hammerstein's Cinderella on Broadway. The costumes in that show are amazing! Especially Ella's ballgown!

Cinderella' on Broadway


Laura Osnes in Rodgers and Hammerstein's Cinderella

Cinderella

Sorry for the overload of pictures on this one dress, I couldn't narrow it down any more than that. But isn't that just the most amazing dress you've ever seen?! I really want to recreate this dress someday. And then go dancing.

One last thing before I wrap up this post. Ella's transformation from rags to riches. One word, amazing!